30 September 2009

life update, with the richard gutierrez subplot thrown in somewhere


this is an update of my previous post.

it's nearly 5pm on a wednesday afternoon as i type this. i am still taking advantage of the generous free wifi at the pan de amerikana marikina here in molave street (forgot the new name of the street but growing up, we knew this street as molave). i am seated right smack in the middle of the middle area of this humongous picturesque resto cozily hidden here in the heart of marikina. there's a children's party about to start to my left, where colorful balloons are painstakingly taped around the back rest portion of the batibot chairs in that covered section (i am at the sun-roofed section where the TV is). i'm glad that in other parts of marikina like this part, life goes on, and people are actually happy. that's good to know.

most of those not heavily affected are back, anyway, back to normal, back in business, like concepcion area, bay tree, and this area. and that's great. only the bayan area and, i assume, the bonifacio road and areas leading outside, passing provident village and barangka, are not yet operational. jeepney drivers say there is still heavy traffic there. so i'm staying put here and won't leave the city for now.

RELATIVES UPDATE:

-- tita coring in parang are now being helped by people clean up their muddy house. her daughter, cousin rona who works for WHO, is already there along with her french hubby, cousin-in-law xavier. they were actually the first casualty among us linsangan folks, for as early as 11am, their ref already started floating in flood water already inside their house. so that takes care of the santos brood on that side.

-- on the other side, in provident village, the other part of the santos brood, doc ricco's family, was rescued right around the time when cousin rey and cousin-in-law edward started their rescue mission to save the remaining gabriel brood in provident. okay na rin iyon.

-- as for the gabriels, cousin gerry filled us in yesterday morning on what happened to them. he passed by my parents house yesterday morning and we listened to his story. an initial account is already up on the web when a manila bulletin newspaper writer wrote their story via an interview with gerry's brother rey's wife monique, who posted this link in facebook. read about that here.

but it was gerry's account that got to me. he recounted how his brother, cousin rey, who already resides in bicutan, searched for a rubber boat and bought one to rescue their father, tito manuel, who was like 80+years old already, and gerry's family which included his wife syndie, my nephews teenager kurt and 8-year old joshua, and gerry's older sister, my cousin angie.

i'm sure by now that the kapuso actor richard gutierrez' story is known all over when he came with his speedboat and rescued co-actress cristine reyes who also lives in provident village. but richard was not alone. he arrived at the same time my cousin rey arrived with their self-bought rubberboat. richard and rey both entered provident village at the same time, and they were actually talking as to how they should approach this rescue and all, making small talk to ease the tension of their looming task ahead of them, i suppose. my cousins also said that richard brought the wrong kind of boat in this effort, as his was the hard wood type ba or something like that, which was hard to lift and all. but it got the job done, so i guess that was well and good for him. my cousin rey even joked that had he known that cristine reyes needed rescuing, he would have gone to fetch her himself hehe. of course this was in jest. i think linsangans are like that -- we still find humor in the direst of circumstances. or maybe it's a filipino trait. whatever. we're just glad they all made it out there.

but gerry narrated that it wasn't easy for them. his son kurt was already badgering them to leave when the waters were just thigh-high. since the gabriels were already used to their first floor being flooded, they just move stuff up on the second floor and wait for the water to subside. every so often, especially earlier in our marikina lives when the city was not yet a city and it was still under shitty leadership, provident would always be flooded a bit because it was near the wall near the marikina river or something like that. so my cousin gerry was unfazed, until the water rose as fast as an oil price hike in the philippine stock exchange or something. next thing they knew, they were already up there on the roof of the second floor, with my tito manuel and the rest of gerry's family.

good thing they were able to contact cousins rey and liza, their sister, who was married to edward. they were the ones who took turns riding the rubberboat to rescue the stranded gabriels on the roof, cutting up tree branches and even cables that were on the way. but when the water rose up higher, there was no need to cut wires. there was just a need to protect the boat. and this is where it gets all lord of the flies-ish/the beach-ish for me, when gerry shared that edward and rey had to carry a gun to protect their boat, just in case other trapped people started grabbing their boat away from them. true enough, as they entered the pitch black submerged village, man, people started to call on them and asked to be rescued, so they tried to steer away from the sides in case people started grabbing onto their boat and all. this is the real harrowing survival mode, where the line "it's every man to himself" was coined, i think. times like these, we all turn savage to save our own lives. good thing they found no need to use the gun.

i think this was like saturday evening already. there were still no rescuers in sight, and people were already trapped, cold and helpless. they actually went back several times daw to rescue others after keeping the gabriels safe. across their house is actress tessie tomas' house where her actress mother laura hermosa lived. i don't know who else lived there or if she still lived there (sometimes we see tessie crossing over to the gabriels' house to use the phone during the pre-cellphone days of the philippines) but her family members also asked my cousin gerry if they could stay there at my cousins' rooftop, as their house is not that high enough; it was submerged totally. so my cousin helped them and all in all, they were like 20 people atop that roof that were rescued. gerry tied bedsheets and curtains as makeshift ropes so that the others could hold on and cross over to where they were. but he found out that curtains and bedsheets get heavy when wet, so he snagged their cable TV cables and used that to make sturdier makeshift ropes, and that worked. they were able to hoist over people.

but he was actually disappointed at the younger people with him. i am 36 so gerry is about a decade or so older than me, i think, so he was like the uncle figure of some twentysomething people there, some of which were mega-buffed guys who spend more time at the gym than in the church. and these gym bunnies turned out to be scaredy cats because they can't swim!!! they were asking my cousin "tito gerry, ano gagawin natin 'pag tumaas pa ang tubig?" gerry had to pretend that he also didn't know how to swim in case these useless chunks of pseudo hunks clung onto him when they got scared. "ang lalaki ng katawan, baka malunod pa ko 'pag kumapit sila sa 'kin, 'no." we laughed at this. hay...

grabe din ang surroundings daw nung dumilim. they had a neighbor who bred dogs, and when the waters started to rise, their neighbor locked their seven dogs in a second floor room or something. but the water rose higher, and gerry could hear the frantic sound of dogs barking. as the waters didn't stop rising, the dogs' barks started to lessen, as one by one, they died, drowned. poor dogs. but many who were let loose survived. they saw several dogs swimming to save their own lives, or dogs clinging onto treetops daw. panalo ang man's best friend's instincts. natuwa kami sa kuwentong ito...

gerry showed me and my parents the beating he got from helping out others. he had huge palm-sized deep purple bruises on his leg, his back and elsewhere that he looked like a fraternity hazing victim. but he said he didn't feel anything during that time. it was when they were all safe and sound in his sister liza's house in valle verde (where they are still stationed) that he felt the tiredness, the ache, and all that. i think our cousin ricco and his family is also staying there at valle verde up to now. i'm not sure about this, but since it was also the gabriels that rescued them, they stayed there at valle verde din daw initially.

-- tita boochie and the orfinadas naman are all fine naman pala in vista verde in cainta, as they finally texted my mom yesterday afternoon. we never heard from them since this all started, and cousin gerry wanted to drive their truck there to check up on the orfinadas, which included my tito bong and their son hugo and hugo's wife and kulang-sa-family-planning brood of kids. good thing their house, which had a second storey, was located so far towards the end of the village that the harrowing floods didn't reach them anymore. but like the others, they were just as trapped inside the village. i was supposed to go with gerry for this mission visit but my father dissuaded us, saying it might be impossible for us to plow through the mud, even with that more than 6-wheeler truck gerry brought with him, so we scrapped the plan.

so that's all for the linsangans. we're fine. and oh yeah, monique just gave birth na. so rey is a dad times two na. yey. binyagan soon.

***

as for me, it's day four of having no working utilities in my condominium unit in marikina's bayan area. i pity my neighbors, especially those who don't have other relatives nearby. at least i have my parents' house to go to during the daytime where i can take a bath, eat hot meals and just rest, as the power in their area was immediately restored back (the area was minimally damaged). good thing the management was able to establish some sort of shower area near the swimming pool area where residents take their baths. since there is no electricity, no power powers the water pumps of our buildings. this is the reason why some of the ground floor units are still helpless in cleaning their units. as my girlfriend goldstar and i pass by their opened doors, we could see furniture, plasma flat screen TVs, matching fancy dishes, cute throw pillows and other things covered in murky brown. the official color of marikina is now murky brown. there are still muddy wet areas on the ground floor, and it's disheartening to see people lug water jars and mineral water liter bottles up several flights of stairs to get water from the water tank stationed downstairs at the driveway.

of course, that's the middle class story. upper middle class, if you will, and i'm sure some righteous makabayan activits, artists or scholars might look down upon these/our plight as "having it easier" than the rest of the poorer folks who got damaged by this typhoon just because we live in a condo. but i don't care about them now. let them intellectualize about this for their career all they want. i'm just writing this down as an experiential thing and, knowing that we are all humans, hope that others who are merely onlookers of this event actually start growing a heart and start caring for others, for once.

as my cousin gerry said, it was a good thing that he had well-off relatives, people who could buy a rubberboat just like that and help. money comes in handy, let's face it. he is grateful, as we all are, that everyone is safe. we just wish that more people had money din, so that they could help. and i'm actually happy that those who don't have much just come and volunteer their efforts. students have told me of their efforts to help in collecting relief goods, volunteering left and right, and all that. times like these that i am glad i am a teacher; i am proud to teach kids who have the brains and have the sense and humanity to use them for the good of all. times like these, i am assured that i went to the right career, so never mind the negativity that i see in academic politicking. i am there for the students, always for the students. and i am glad they are shaping up well. i have high hopes for these kids. i am so proud of them.

so with all these on my mind, heart and person right now, i don't think i could go back to my regular work routine as yet. times like these that i hate being in the media, too, as we were all asked to bump off our regularly scheduled stuff to give way to ondoy-related stuff. even the narartive plot of happy land, the children's tv show i write every week, will bump off a shoot to make way for a newer shoot of a newer script which involves an ondoy story and teaching kids how to be prepared in a disaster like this and all that. i told my executive producer that i am not yet in any manner able to write about this fictionally, as you could see from my blogs, with a very very tight window to write a full script to be shot in three days' time. she offered to write it for now, and i took her offer and thanked her. i don't think she is aware of what happened to me here, so she might see me as just a maarte diva writer. natawa rin ako sa isang text na nakuha ko from UP, where the librarian was asking me for updates on the library committee work. in times of disaster, they ask me about university committee work, after i told them earlier that i am still affected by this flood disaster? winner. later, they texted me and wanted to know what happened to me, so i filled them in. they will use the info for a report daw of what happened to masscomm people affected by this. i still don't know what the report is for.

hay... buti na lang walang pasok buong linggo. just saw in facebook from wendell that there is already a readjustment in the first sem sked of things. buti naman at umaksyon agad ang akademya. times like this, my sinking idealism for UP is kept afloat pa rin. buti naman.

no pictures for now, folks. the camera of my mind is already full of rolls to develop, but i don't think i have the heart to print them out, if you know what i mean. sure, i could sit here at pan and wifi all i want, but life is still not back to normal for me. maybe next week. we'll see. tonight, i decided to sleep over at my parent's house and not go back to my condo in bayan for now. i think my parents want it that way, too, so they could stop worrying about me and my girlfriend for now. so we're staying put.

it's half past six as i wrap this up, and the children's birthday party already ran out of parlor games and food. the cake was already cut and some guests are starting to leave. i may as well leave, too, in a while, and catch up on the news of the day later.

stay safe, everyone. thanks to those who messaged and texted. happy to know that you care.



28 September 2009

the leaflens account of the marikina flood disaster

...also subtitled "kung paano nag-take 1 ang bagyong ondoy at pinagitna kaming taga-marikina sa latest philippine disaster non-movie of the year punyemas." dasal ko lang sa supreme beings, sana wala na itong take 2. di namin kaya 'yun.

this post is for my relatives who want to know an update of what happened, para sa mga walang tfc or pinoytv channels abroad o kulang ang pictorial update sa internet. eto ang photos, sandamakmak, taken using my puny buy still handy nikon coolpix.

RELATIVES! all linsangan peeps are okay now. tito manuel and the gabriels (including gerry's family) in provident village were rescued by liza and edward's newly-bought rubberboat just for this disaster saturday pa (wala raw nahanap na amphibian vehicle). ricco and family remained in their provident house, their refuge is their attic. nag-text pa ang loko na doc kay mommy saturday night sabi "we are drowning!" kaloka. tita coring is okay sa twinville at dinalaw lang kanina (monday noon) nina ateng at hanggang balikat daw ang putik sa bahay or something, though i have to check the accuracy of this report, kung metaphor siya, exag o plain truth. alam mo naman ang pamilya linsangan, madrama. tanging kina tita boochie na lang sa cainta ang wala pang balita. paki-text si mommy for updates.

MEDIA friends, if you want to use/run the photos, go ahead. just credit the photographer as "libay linsangan cantor." salamat po.

***

so it's 2.30pm as i type this. lunes na, september 28. marikina is still reeling from the weekend disaster that put us all in peril here. i am typing this using the generous free wifi of pan de marikina resto along molave st. near my parent's home in sss village where i grew up. i checked in on them physically only today, this morning to be exact, kasi kami din ng gf ko ay nagmo-monitor ng progress doon sa condo namin sa bayan ng marikina, possibly the hardest hit among places here in marikina. sa di kalayuan sa bayan, naroon ang san roque sa bandang calumpang na hanggang dibdib umabot ang baha. sa opposite side naman sa may malanday, isang metro na daw ang taas ng baha. may kakilala akong lumikas na ang pamilya sa isang hospital nearby dahil pinasok na daw ng baha ang bahay nila.

at nakakapagtaka ito, sa totoo lang. to quote my father, sa 30 years naming nakatira dito sa marikina (since 1979) ay ngayon lang pinasok ng baha ang bahay namin sa sss village. intelligent engineer kasi ang tatay ko at na-foresee na niya ang mga ganyang chenes. kaya noong pinapagawa pa lang ang bahay namin, pinataas na niya ang tambak para mataas pa sa kalye ang bahay namin. effective, dahil noong panahong iyon na mga hanggang tuhod lang naman ang baha sa marikina at karatig-lugar noong '80s, nunca, never, nein kami pinasok ng baha sa bakuran namin, lalo na sa bahay mismo, na simpleng bungalow lang naman. e lalo na nung unang sumampa si bayani fernando bilang mayor, at ngayon ang asawa naman niyang si marides. okay na ang marikina, super-okay, kaya nga nag-relocate back ako dito after years of renting places in bulok qc.

kaya imagine my surprise when, last saturday at 1pm past, nag-text ang nanay ko ng "bay, pumasok na ang baha sa bahay, several inches na" or something to that effect. ako naman si dedma nung umaga--dahil masama ang pakiramdam ko friday night kaya nagpapahinga lang ako sa kama noong saturday morning--ay biglang napabangon at nag-survey ng view mula sa lampas-5th floor na taas ng condo ko sa may bayan.

at heto ang tumambad sa akin -- baha!


this is the view from my window. nasa likuran ng building ang unit ko kaya ang tanaw ko ay ang view ng kalye sa likuran.



at lubog na pala sa baha ang kalye, and nearby roads pati. ito ang tinatawag na paliparan area. 'pag tinahak mo iyan, diretso sa sa concepcion, marikina, papuntang sss vill, papuntang parang, at kung saan-saan pa. di ko lang sure that time kung gaano kataas ang baha, pero kung pagbabasehan mo yung naka-pink payong, aba e mataas na, kasi bewang na niya, o. that, or pandak lang siya.

pero later, true enough, umabot hanggang lampas bewang ng normal na pilipino ito, dahil may nagdaang sasakyan at 'yun ang sukatan ko.

so habang nagte-text exchange kami ng nanay ko at ina-update niya ko kung hanggang saan na ang tubig na pumapasok sa bahay namin, naglibot ako sa floor namin at nag-survey ng paligid sa baba. di kami makababa, pinatay na nila ang elevator.

at talaga palang di naman kami makakababa kahit mag-stairs kami, kasi eto ang mga eksenang tumambad sa aming paligid ng condo:


eto ang courtyard sa gitna, kung nasaan ang playground. lunod! see those round batibot thingies na may trees? nauupuan 'yan, te. ngayon, wala na. so that's about hanggang tuhod ang height ng tubig, assuming na tuhod ko ang ruler and i'm a long-legged 5 foot 3.5 inch-tall person.

sa isang side ng silipan, natanaw ko ang lobby area ng kabilang building, pati na ang driveway in between the two buildings' entrance and lobbies. heto ang eksena:





what driveway? raging river runs wild ang hitsura niya teh! (at hindi na ko nag-feeling meryl streep na bumaba)
yung mga naka-barong na manong ang security guards namin. at matatangkad sila!

this was like 2pmish saturday. by 6pmish, wala na, hanggang balikat na ni manong guard ang water sa lobby. we were so trapped.

buti na lang may electricity, water at phone pa kami. kaya naghanda na kami ng candles in case nawala ang kuryente (nawala around 10pm saturday), extra tubig sakaling mawala na ng ipa-pump ang building (nawala sunday morning around 8am). dedma na sa phone, kasi may cellphone naman, pero nawala na rin siya in between those times.

naknangteteng at ngayon pa nawalan ng gasul ang tangke ko, noh! (nagpa-deliver ako pero umatras ang delivery dahil nga wala na daw madaanan sa baha, in fairness.) pero maabilidad ang jowa at sabi niya, sa rice cooker siya magluluto ng pancit canton. winner! kaya yun ang dinner namin saturday night at lunch sunday noon. winner din ang capacity ng ref ko na mag-retain ng coldness, kaya may nainom pa kaming isang litro ng chocolate malt milk na hindi agad napanis.

buti na lang kina mommy sa sss vill, pinatay na nila ang main switch ng electricity dahil baka abutin ng baha ang mga outlets. buti na lang nga at intelligent engineer nga ang tatay ko at instead na the standard 4-inch from the floor ang sukat ng outlets ay pinagawa niyang 8-inches. ang tubig-baha sa loob ng bahay ay nag-peak at 6-inches. safe and sound. nag-subside na rin naman ang water kinagabihan ng sabado doon sa sss vill kaya kampante na ko sa parents ko. nauna nga rin silang nabuksan ang kuryente (sunday pa lang) pero kami sa bayan, hanggang tina-type ko ito ng lunes ng hapon, wala pang kuryente.

pero tumaas yata lalo ang tubig sa may bayan area, dahil eto pa ang eksena sa kalye sa harap ng buildings namin noong sabado:


to the left, to the left - at the back of bluewave marquinton mall sa bayan, lampas lang ng marikina sports center. siyempre nagsara ng operations ang malls and establishments sa baba niya.


'yang parking lot na 'yan sa harapan namin ay parking lot ng mall sa side nito. at ang mga naka-park sa labas ng perimeter ng parking lot, mga residents ng condo namin na walang parking area sa loob ng building ang naka-park.




buti na lang pala, wala akong tsikot. m
alamang sa hindi, dito ako naka-park. at ganito na ang nangyari sa aking future car.




to the right, to the right - ang toyota car care center chenelyn building, kaharap niyan ang marikina sports center. noong gabi ng sabado, may nakita kaming mga tao na umakyat sa bubong niyan at doon nag-camp out, na-trap. mga empleyado siguro ng toyota. di ko lang makunan dahil madilim, pero aninag namin sila. may nagyoyosi pa nga, e.


sunday, the day after...

at least wala nang ulan-ulan na malakas, humupa na rin ang tubig-baha sa halos lahat ng areas, kaya we checked it out again.




sabi nga ng nanay ko sa text, may mga dalag at hito na nakita silang lumalangoy kasama ng tubig-baha. true enough, sa tanawing ito, nakakita ako ng manong na nakapulot ng muddy hito sa kalye. pinulot niya, binanlawan sa isang puddle sa road, saka sinupot sabay sabing "ulam din to!" winner. sayang at di ko nakodakan ang eksena.











at dito mo ngayon malalaman kung ano'ng kotse ang mabigat at di gumalaw kahit may raging flood waters na dumaan sa kanya. pansin ko lang, laos ang mga honda ha. kahit crv, umurong! i'm just saying...












sa
bandang doon sa harap, ayun, major road 'yan, sumulong hi-way na kadugsong ng marikina bridge kung papasok ka ng marikina proper mula sa aurora boulevard, flyover sa barangka papuntang riverbanks, past provident village, lampas papasok ng calumpang, lampas marikina bayan palengke. ayun medyo baha pa. sa harap ng 24 hour delivery mcdo. katabi iyan ng...









...marikina sports center. zoom in sa gitna. can you see the lawa ng tubig sa loob ng sports complex? puwede nang mag-dragonboat rowing diyan, o, new sport. paging ruth. chos.

moments like these, i am missing my old slr minolta system with the superfast vivitar telephoto lens capacity. madali sana itong pitikin. hay...








so nung mga 3-4pmish na ng sunday, my gf and i decided to go down and look for hot food dahil wala na nga kaming gasul at iba pang imbak na pagkain. naglakad-lakad kami sa banda ng palengke, sa paligid ng sports complex at sa karatig-kalye, sa kaya pa ng powers namin dahil maputik nga kahit saan. tunay na ninja training level sa balancing act ang ginawa namin para di madulas sa putikan. ayoko ng putik, to quote maricel soriano.

eto ang iba't ibang eksena sa paligid ng bayan:




see those horizontal lines? ibig sabihin, hanggang diyan inabot ang tubig-baha sa lugar nila:





the last shot ay sa ground floor ng condo. ganyan kataas inabot ang water inside.


at eto ang mga pulitzer prize-winning shots:

dinibdib niya ang katagang "drive thru" hane?


ironic kung toyota ang brand ng tsikot na 'yan...


kebs sa brand! basta sumalpak siya diyan
sa harap ng marikina library. ayuz.


kaloka no? dami pa 'yan. ipo-post ko na lang sa multiply at facebook ko kapag nagka-connection na sa amin.

it's past 4pm as i finish this post. hay, kakapagod... sana may kuryente na sa condo...


20 September 2009

Manila Times column for 20 Sept 2009: "When your writing comes to life on screen"


this column was inspired by my recent directorial gig for the tv show that i am writing for (at least the first draft, i always say hehe. saka na ang kuwento nun siguro). maybe i'll also write about working as a director again, behind the scenes stuff. may mga incidents kasi akong nais i-blog, lalu na ang mga diskriminasyon sa set and all that. pero saka na nga lang.

eto muna.


original post here.

Sunday, September 20, 2009

THE SCRIBE VIBE
By Libay Linsangan Cantor
When your writing
comes to life on screen


Scriptwriters must already be used to seeing their works on screen, whether they write for television or film, especially the veterans who have been writing for a long time. Of course this is applicable to those writers whose works actually made it to production. But then again, that’s another discourse altogether.

For this writer, I am not yet used to seeing my works on screen. By “used,” I mean being just blasĆ© about it to the point of not actually caring how the story was visualized at all. Of course it’s exciting to see because you are curious to know how the production team, especially the production designer and the director, visualized the words you just had a mental picture of before. Now that that mental picture is actually a real picture (and a moving picture at that), you sometimes wish you wrote several things differently, or wonder if the production team actually got the things you wanted to say in your script (oh, the wonderful world of subtext, semiotics and symbolisms).

But being on the actual set of a world you just created is another experience altogether. I experienced this weekend when the TV show I write for called me up to ask if I can sub for their absent director. Since I have worked with this TV crew before as a director, I happily obliged and helped.

This show is Happy Land, aired every Saturday at 9:30 a.m. over GMA-7. Since this children’s show began airing in June of this year, I watched it to monitor how my narrative scripts are being audio-visually translated. But visiting the set, looking at the props and meeting the characters I invented (such as the sari-sari store and its proprietor, which I named after my mother), I never thought that it would feel differently. All of a sudden, I am inside the world I created, walking around the places I merely wrote about at the comfort of my home, and scrutinized the characters from a great deal of distance. I actually felt like that writer character from the Cornelia Funke novel Inkheart (which was also turned into a film) as he reacted upon meeting his fictionally written characters in the flesh for the first time. It put a weird but satisfying smile on my face.

But what put an even bigger grin on my face was seeing how the production team labored over making the material I wrote come to life. The props, the costumes and of course directing the scenarios I invented (for this episode, the children protagonists interact with a young Lam-ang who learned how to talk respectfully with elders)—they were all fun, and educational for me, too. Now that I knew how they shot the material, I became conscious of several factors that I never would have considered before just by merely writing from a distance.

Well, let’s see how this episode fares, as it still has to air on October 3. Wish us luck.

Comments? Suggestions? E-mail libay.scribevibe@gmail.com. She is also at libaycantor.multiply.com.

to patrick swayze, thanks for everything! libay cantor


posted last sept 15 in my multiply version of leaflens, the day he died.

------------

for someone who grew up in the 80s and solidified her personality during the 90s, pop culture was a big part of life, especially movies. so for me who is that someone who watched 80s and 90s movies of patrick swayze and then opening the newspapers today to read that he is dead... well, that's just sad.

he lost his bout with cancer, sabi sa balitang ito.



ulad ng iba pang nauna sa kanya, wala naman akong maiaambag kundi ang munting muni-muning ito na ipapahiwatig kung bakit, kahit papaano, ang mga pop culture icons tulad niya ay naging importanteng bahagi ng aking buhay ka
hit kaunti o saglit.

for patrick, of course it was the dancing. DIRTY DANCING, to be exact.




dito siya unang sumambulat sa consciousness ng mga taong naghahanap ng idolong makalaglag-panty, 'ika nga nila. at pantasya rin ang abs niy
a ng mga baklush. lahat ng segment ng population sakop niya dahil sa kanyang manliness arrive na sensitive guy demeanor na puwede kang sapakin pero pare talo ka 'pag nag-pirouette na siya and all those dance moves sans tights. after all, ballet talaga ang training niya, and it shows kasi ang graceful ng movements niya, na kakaiba sa iba pang barako sa pelikula.

like this ensemble film na THE OUTSIDERS base sa isang young adult novel about teen angst chorva. kuya ang dating niya pero siya ang pinaka-graceful gumalaw sa rambol teh. kebs sa ibang cast of then unknowns (sino'ng tom cruise?). si leif garret ang pinaka-sikat diyan hahaha! sadly, siya ang bumulusok ang star ngayon. kung di niyo siya kilala, itanong niyo sa mga tita/magulang niyong nagdi-disco nung late 70s at early 80s hehe.





bakit ko gusto ang DIRTY DANCING? kasi nga sa kaibuturan ng aking pagkatao ay may isang nilalang na gustong sumayaw. mag-aral sumayaw, mag-perform ng sayaw, basta sayaw. must be a past life, i dunno. di ko naman napunan
sa present life ang hilig na ito professionally or something like that. pahapyaw-hapyaw lang. bet na rin.

at nang lumabas ang kantang "(I've Had) The Time of my Life" mula sa pelikulang 'yon, ay teh, gasgas ang cassette ng soundtrack sa cassette player ko!!! this is one of my favorite songs of all time, like nasa top 10 siya ati. at masarap siyang isayaw nga na kanta, kahit maskipaps lang at walang D.I.

tapos nung panahong ang bida sa bahay ay ang betamax at panonood ng pelikula dito, ang gasgas na pinanonood naming pamilya bilang bonding moment ay isa pang swayze classic: GHOST.




and no, hindi ako nagpa-demi moore haircut noon, tulad ng daan-daang babae na ginaya ang gupit niya diyan when this came out in the theaters. kahit gustong gawin ng barbera ko ito noon sa akin noong nagpapagupit ako. ay away yan teh.


panalo ang pelikulang ito, from the script, characterization, simple plotting na may impact ang ending, tapos saksakan pa ng love story and the classic comedic timing of the great whoopi goldberg. winner. hm, bakit nga ba hindi ito ang pinapalabas ko sa scriptwriting class? sige next sem.

pero dahil sa i am a gay man trapped in a lesbian's body (sig
e na, tango ka na lang), super betness ko ang isang uber campy film niya ever: TO WONG FOO, THANKS FOR EVERYTHING, JULIE NEWMAR na lagi kong ginagamit panghula sa charades dahil timbog sila't di mahulaan agad hahahaha!


i'm just a boy in a dwess, sabi ni john leguizamo, also known as chi-chi!

it's a road film with trannies, at isa doon ay ang nakakatawang karakter na pinangalanang noxeema na ginampanan ng uber-galing ni wesley snipes (yes, si BLADE!) at si swayze nga bilang vida boheme, ang kagalang-galang na parang lady marm look na trans na siya ang nag-lakas-loob mag-out sa pamilya and all. makabagbag-damdamin ang eksena niyang 'yun kaya di ko malilimutan. hay... i miss films like these, sa totoo lang. fun pero may kagat sa puso ba.

well, we will certainly miss him. and now i know what films i will be watching this weekend as a marathon tribute to him.

paalam at salamat.

13 September 2009

Manila Times column for 13 Sept 2009: "Literary highs and lows"

original post here.

kahit naman hindi tayo super-friends or super-close sa mga namatay, we still feel their loss because familiar tayo sa mga ginawa nila, na ang ilan ay hinangaan pa natin. hindi ba valid reason yun para makiramay? that's called being human, i think.

yun lang kasi ang isa kong feeling sa ilang kaibigan ng isa sa namatay, na para bang "private grief" dapat ang "pagsasaluhan" nila lang, kaya parang weird for them na nakikisimpatiya ang ibang tao sa labas ng sirkulo nila at ng namatayan. tapos magagalit pa sa iyo kapag nag-comment ka about it or something. ay ewan. kuwento ko na lang sa 'yo over strong ice and isaw sa sarah's.

maybe they should take their cues from two recent big deaths in our culture -- michael jackson's and tita cory -- and take some clues/cues from there.

sana lang.



Sunday, September 13, 2009

THE SCRIBE VIBE
By Libay Linsangan Cantor
Literary highs and lows


It has been such a schizophrenic time these past few weeks for the local artistic community, especially when it came to news about writers. While some have been celebrating highs, people were also feeling low with the loss of some writers in our midst.

One of the losses was Astrid Tobias who lost her bout with lupus a few weeks back. Just thirty years old, Astrid wrote children's literature and also worked at the Kabataan News Network. I first met her through common friends but it was at Adarna Houseƕs 2007 Barlaya Writing for Young Adults workshop where I interacted with her the longest. I was a fellow of that workshop and she was a panelist who gave very meaningful insights about the young adult novel I submitted for that workshop. Her comments were very useful and helped the revision of my manuscript a lot. I was actually planning on seeking her out for added comments (I wanted her to read the whole novel because the workshop only provided panelists with excerpts and synopses) but I guess my luck ran out. Still, I am very grateful for her help. May she rest in peace.

Another young writer we lost is 29-year old film critic Alexis Tioseco. His Quezon City home was robbed and, together with his girlfriend Nika Bohinc, he was gunned down in the process. Most of the independent film cinema circle knew him as the hopeful Filipino-Canadian critic who championed Filipino cinema via his online film journal. His girlfriend was also a film journalist in her native Slovenia. No one should die that way. I hope they find the perpetrators soon.

Another young writer we lost is poet Winton Lou Ynion whom I met at the UP National Writers Workshop in Davao in the late 1990s. He was one of the poetry fellows and I was part of the workshop staff that year. I offer my condolences to the families and friends of these writers; such a huge loss indeed.

Even with such sad news in mind, the literary community still went on with the usual highs designated this time of the year. The Palanca Awards were handed out last September 1 and I would like to congratulate all who won. Some wins elevated a couple of writers to the Hall of Fame, particularly UP Prof. Eugene Evasco. A known children's writer, he won first place for the newest Palanca category in Filipino called Tulang Isinulat Para Sa Mga Bata. In order to be in the Hall of Fame, a writer should have won five first prize awards in any category.

The Philippines Free Press Awards were also given out days before the Palanca's, and poetry and fiction writers whose works were published in the magazine the past year were awarded to a lot of first-timers.

Let's hope that the rest of the year will be more peaceful for the writing community and the larger artistic community as well; no more losses, please, and enough controversies as well.

Comments? Suggestions? E-mail libay.scribevibe@gmail.com. She is also at libaycantor.multiply.com.


Manila Times column for 06 September 2009: "Sell out, sell out wherever you are"


original post here.

inspired by current decisions and past ones, by friends and colleagues alike hehe.




Sunday, September 06, 2009

THE SCRIBE VIBE
By Libay Linsangan Cantor
Sell out, sell out wherever you are


I’ve come upon writers who are so concerned about this “business” of selling out that they are ashamed to say or promote what it is they are writing.

This is especially true of scriptwriters Some who I met are conscious of their status as writers for major TV networks, saying that they should be writing stories with values and deep philosophical insights or social relevance or whatever Instead, they regularly churn out fanfare material that will ponder to all types of audiences (the lower in the social rung, the better, according to network executives) Hey, if it pays the bills, then why should one be ashamed of it? And yes, people do watch these kinds of stories, shallow or otherwise Somebody has to write them.

I’ve even met some former classmates in film school who say these things, too, that they are sellouts because they write for TV, not for film Given the current state of Philippine cinema these past years, I wouldn’t blame them Even in the midst of the digital independent film revolution, scriptwriters still have a long way to go in terms of proper recognition, respect or pay So thus, there’s really nothing wrong with branching out to other writing avenues We all have to eat and live, right?

Literary writers also find themselves in this sellout rut when they realize that, instead of writing fiction or poetry—forms closer to their hearts—they write words for advertisement copy, press releases that sound more like praise releases, or fluffy features for lifestyle and entertainment publications For me, this is not really selling out but more of expanding one’s skills as a writer What’s wrong with a little fluff? We need it sometimes in our lives And yes, people do read this stuff Not all material we read should be deep down serious or profound, right? It’s just a matter of balance or preference, I guess And there should be writers supplying material at all ends.

I guess these writers complain about these things once they have already reached their saturation point That I understand, and I can relate to I’m sure each creative soul has a breaking point when it comes to writing what you want to write and writing what you need to write to earn a living I don’t see anything wrong with writing to earn a living, even if the material one is writing is not that close to one’s heart, or mind, or soul or whatever Yes, even if others brand you as a “sellout ” I say, so what? As long as a writer is happy writing what it is he or she writes, and she gets paid for writing it, then that’s all good I just wish some writers would stop “complaining” that they are sellouts when confronted with their situations Sometimes, the best “defense” is not being so defensive at all.

Comments? Suggestions? E-mail libay scribevibe@gmail com She is also at libaycantor multiply com